The Unbearable....

lightness of being a woman.

The Unbearable Lightness of Being a Woman

Taken with a 50mm lens, at f/1.8, the focus here is on the bouquet of dried roses, with the body of a woman in the blur.  The image speaks of the process of aging, of staying vital and beautiful as the years mount.  There is such pressure on women to look a certain way, to conform to a certain standard of beauty.  And even though we age, the arbitrary standard never does.  It is always young and firm, bouncy and round, supple and sinuous.   

Unlike a good wine, with humans, aging is complicated.  We continue to get better in certain ways, and yet we decline in others.  There is a give and take that occurs.  What we gain in wisdom, we lose in elasticity.  I had a friend who was in her 90's and she said that when she randomly caught a glimpse of herself in the mirror, she wondered for a second who that old woman was, the one looking back at her.  When asked how old she felt on the inside, she said, "I feel about 25, maybe 30."  And then she smiled, and I could see her as the ten year old girl she had once been.  Her eyes still had that twinkle, that spark, even though her face bore the marks of the passing of the years.   There was a lightness in her spirit. 

My friend was a lot like this bouquet of flowers.  When I look at them, they are dried, wrinkled, crispy, and yet I see beauty there in the creases, evidence of having lived.  I see perfection in their imperfections.  I keep them around because of the memories associated with them.  They remind me of one of the happiest occasions of my life.  I see beyond the dessication.     

There are other photos in this series, which I will be sharing and writing about soon.  Please stay tuned for more.

Until next time...

Anne 

Les souvenirs...

Les souvenirs de ton toucher s'attardent toujours....

L'amour est comme ça.  On se perd délicieusement dans les moments de la passion. Le temps disparaît, le monde extérieur se fane.  Il n'y a que deux êtres seuls qui existent.  Toi et moi.   Et puis après, c'est là où on s'y retrouve dans nos pensées, dans nos rêveries, les souvenirs d'une nuit blanche, qu'on a passé embrouillé dans les draps blancs et nos bras et jambes, l'un et l'autre.  Tes baisers restent sur mes lèvres, la chaleur de ta main sur mon ventre, la douceur de ton souffle dans mon oreille....

 

Memories of your touch linger still.

Love is like that.  We lose ourselves deliciously in moments of passion.  Time disappears, the outside world fades away.  There are only two beings who exist.... you and me.  And afterwards, it is there where we find ourselves there again in our thoughts, in our daydreams, memories of a white night spent in a tangle of limbs and white sheets.  Your kisses remain on my lips, the heat of hand on my belly, the softness of your breath in my ear...

À la prochaine....  (Until next time...)

Anne

Everything is illuminated

Sometimes the world feels heavy.  The news on the television is too much to take with my morning coffee and toasted fig bread.  Today was one of those days.  There is so much violence in the world, so much hatred and misunderstanding... and fear.  It's hard to not allow the fear to overtake us.  If we don't fight against it, it will swallow us whole, and there will be nothing left of who or what we once were.  

These times feel epic, cinematic, where forces of darkness stand against forces of light, a classic battle of good and evil.  But there is no superhero who will swoop down from on high to save the planet from destroying itself.  Our only weapons are compassion and love, peace and understanding.    

We need to scatter them like seeds across the landscape and in the hearts of those whom we touch in our daily lives.  Love is the antidote, compassion and understanding, the treatment for what ails the human race.  

Illuminé

Art is a way of healing individuals and the world.  It reaches people in a way that words cannot, going deeper.  In words, in deeds, in images.... I hope that I am doing my part to make the world a more loving place.  And I encourage you to do the same.  Peace.  Namasté.  

Until next time....

Anne

Parisian Windows

Eyes may be windows to the soul; but windows are the eyes and soul of a building.  The character of the architecture is defined largely by the type and style of windows that are used in its construction.  Paris is a city of filled with wonderful windows, French windows as they are called in English, where the frames swing inward, allowing one to pass through to a balcony suspended above the tree tops, allowing in light and breezes to refresh interior spaces.  

Windows permit one to see into the heart of a building, to glimpse what is going on beyond the panes of glass, hinting at the lives lived behind the walls.  And they permit one to see out, to view the world and all its happenings through a frame of glass and wood.   Windows allow for an exchange of elements and energy, giving life and vitality to a space.  Uncovered windows are welcoming, inviting.  They draw us in.  And they draw out.   

In homage to my love of windows, I have created a series of photos, "Parisian Windows," exploiting the notion of a frame within the frame.  The photos are inherently voyeuristic.  They invite the viewer to look, to examine, unabashedly, shamelessly.  They reveal different moods, each one inviting the viewer to imagine a back story.  

An archive of longing

Recognition

Anticipation

In light and in shadow

Desolée

There she goes

Perhaps

With reflections upon the glass and the play of light and shadow, the photos are soft, dream-like, contemplative, evoking the same feelings an an autumn rain or a classical nocturne, poetry borne of glass and wood.    

Until next time...

Anne

Memories of Paris

Fifteen days in Paris....  

There is something about Paris that has pulled at the strings of my heart since I was a young girl.  It whispered to me in my dreams, this mythical capital of culture and love, luring me with promises of romance and grand architecture, of accordians and cafés, of promenades through winding streets, of parks and gardens, of its iconic structures and hidden gems, of freshly-baked baguettes and glasses of wine, of flower markets and bistros, of fashionably attired men and women, of the most amazing light I had ever seen.  Like so many others before me, Paris loomed large in my psyche, and for more than thirty years, my desire be there intensified with each passing year. 

Champs de Mars

In February, I spent fifteen days in Paris.  She was everything I had expected and more.  All of the things one might associate with Paris were even more magical in person; there was nothing cliché about them.  The Eiffel Tower, for example, is truly awe-inspiring.  The intricately woven iron girders seem almost delicate and lacy.   The first story of the structure is decorated with the gilded names of those involved in the construction of the tower.  When the sun is at the right angle, their names glow in remembrance and pay hommage to their skill.  The presence of la grande dame is felt in the city, as if she were a guardian watching over us all, illuminating the darkness and calling us home.

Sacré Coeur

Sacré Coeur, the basicillica, which presides over Montmartre is also a marvel.  There was a stillness inside this grand edifice, despite the throngs of visitors.  A thousand tiny, red prayer candles illuminated the alcoves, a thousand whispered wishes and gestures of gratitude from a multitude of souls, some lost, some wounded, some found.  Soft light spilled in through the stained glass windows, each one a mastepiece in and of itself, bathed the pews in an otherworldly glow.  We sat in reverence, holding hands in this sacred space.

Notre Dame (rear view)

My last afternoon in Paris was the day we visited Notre Dame.  It was a grey day, typical of that time of year, and yet there was a luminosity that added to the mystery and timelessness of the grand structures near the cathedral. Notre Dame is situated on an island (Île de la Cité) in the middle of the Seine, the grand river that runs through Paris, and traverses northern France to terminate at the Atlantic Ocean.

le Pont d'Archeveche

Notre Dame was incredibly crowded that day, and we were unable to visit the inside of the cathedral.  We strolled around the exterior and through the little garden behind the church.  We traversed the pont d'archeveche (the lover's bridge) strewn with locks, symbols of love and promises.  

Scène de la Rue:  Île de la Cité

A typical Parisian street scene.  The ever-present Seine is at the far right of the photo.

La Seine

The buildings lining the streets of Paris exude a charm I have never seen in the US.  As one who is partial to grey and shades of cream, I immdeiately felt at home here.  I am drawn to their stone façades, their intiricate ironwork, their tall windows.  

Serenade

As we headed back to the car that day, back across the bridge, we were serenaded by an accordian.  Strains of music drifted across the bridges and down the streets, floated above the Seine, and now linger in the halls of my memory.

Until next time...

À bientôt...

Anne

 

 

 

Like Every Grain of Sand...

How many billion tiny moments constitute a life?  

Each one perfectly formed; each one unique.

Some overlooked, some taken for granted; others held in highest reverence.  

Elusive, they slip through our fingers, cascading like a waterfall.

Trying to hold onto a single one is like trying to preserve the first flake of new-fallen snow

or the first bite of a freshly picked strawberry,

or the scent of a line-dried sheet.

I cradle the sweetest moments, of both memory and dream, in the remote forests of my mind.

There they lie, safely encased in a coffin of glass, awaiting true love's kiss to animate them once more.

Like time, we are ever-moving, ever-changing, with this push toward the eternal.

What was once comfortable becomes threadbare.  What used to fit no longer feels right.

We shed our skins and our inhibitions;

we shed our fears.

Like dunes on the beach, we shift with the prevailing winds and tides,

becoming ripples across the sands of time.

Like Every Grain of Sand

Until next time...

Anne

 

 

 

When Thoughts Take Flight

The grey, moody days of December have lingered for awhile.  There are many people who grow weary of this monochromatic world.  I, for one, relish it.  As a photographer who primarily works in monochrome, in my mind's eye, I see photographic compositions in black and white. The haze and pale skies have been a perfect backdrop for my work, and I have been venturing outdoors to shoot.

A whimsical new series I am working on centers around a cluster of black balloons as inspiration for a story.  The photo I am sharing with you today is the first one I have processed-- not necessarily the first one in the visual narrative, but I was too excited about the image and the concept to not share something with you.

When Thoughts Take Flight

Stay tuned for more installments as the story unfolds.

Until next time...

Anne

 

The Long Road Home

Roads take us many places in life.  Some take us off to new adventures, when our spirits are elevated with wonder and possibility.  Other roads take us to places of drudgery or hardship.  I think the sweetest roads are the ones that take us home.

Home can be a state of mind, another person, the place where we grew up, a dwelling where we lay our heads to rest.  It can also be a place where we have never been, but have always longed for, some place that calls to us in our quietest moments.

 

The Long Road Home

This image was taken on the road in front of my little house in the country.  The gravel road stretches down the hill and round the curve, disappearing from sight, leaving that notion of home up to the interpretation of each viewer.

Ultimately, home is where we feel the most comfortable, the most secure, the most like our authentic selves.  

Wishing you the comfort that comes with making your way home, wherever that may be.

Until next time...

Anne

 

One December Morning

Yesterday morning In the rain and fog, I ventured out with my camera.  Dense mist hovered over the ridges as I drove through the hills of the national forest near my home.  The lake beckoned.  It had been months since I'd visited her.  Over the summer, we'd spent a lot of time together.  This time, however, in the December rain, I enjoyed her beauty from the shore.

I encountered a flock, if you will, of black vultures.  There must have been twenty of them lurking in the trees near the lake.  They were not happy with my intrusion and voiced their displeasure, but tolerated it, allowing me to set up my tripod and adjust my camera settings.  

Cedar Lake:  Morning Mist

Cedar Lake:  Morning Mist

Now when I look at this photo, the stillness of that morning infuses me, returning me to that moment in time when everything else faded away.  There was only the water, the mist, the morning air, the trees, and the vultures looking down upon me.  And I was a part of it of it all.  That moment is now frozen in time.  

I have read that simply looking at images of water has a calming effect.  In my experience this certainly seems to be true.

Until next time...

Anne

 

Dark and Dreamy

As cooler temperatures and shorter days have forced me to create photographs inside, my work has taken on a different tone.  It has become darker, dreamier, more sensual.  I recently did a series that was inspired by the musical, The Phantom of the Opera, a work whose dark sensuality I find to be extremely moving.   I am sharing a couple of the photos from that series with you.

These images play with light, shadow, and depth of field.  On the technical side, I used a 50mm lens that has a large aperture (f/1.8 in this case). This leads to some nice blurring of the out-of-focus areas and highlights certain aspects of the photos, giving the overall scene a dreaminess and a softness.  

Abandon Thought and Let the Dream Descend

Only Then Can You Belong to Me

With winter approaching and my introspective side coming out to play, you can expect to see more work from me like this.

Until next time...

Anne

Ghosts of September

With the senescence of autumn, the landscape takes on a loneliness; a barrenness, despite the skeletal remains of plants and trees dotting the hillsides; a sense of melancholy.  The lush, noisy days of summer are gone.  A quiet settles over the land.  On frosty mornings, the solitude is almost palpable.  

My latest series of sepia-toned portraits in the landscape reflect that sorrow, that isolation, and the loss of something both rare and fine.

November's Child

The Distance From Me to You

The Leaning Tree

If Only

In the Changing Light 

I Remember

The formal gowns in these photos relate a sense of being all dressed up with nowhere to go or of the party being over, a sense of something that was but no longer exists.  The black shawl speaks of protection against the elements.  The gowns contrast in texture and context with the rustic backdrop, whether it be the fluffy heads of dead goldenrods and asters in the meadow or the log siding of my house.

Seasons change, time marches onward, people come and go from our lives.  Birthdays come (mine is next week); we grow older.  These photographs honor those inevitable changes and our ability to not only withstand them, but to persevere with grace and one's sense of self intact.

Happy November.  Happy dio de los muertos.

Until next time...

Anne